The SMI Piano Camp offers students the opportunity to study music in a stimulating environment under the tutelage of our distinguished piano faculty. This intensive program includes private and group lessons, master classes, ensembles, practice sessions, theory study and solo recital performances. Recitals and presentations by faculty and guests complete the activities. In addition, there are daily opportunities for social fun and recreation.
The piano camp is designed for students from ages 13-18. Conditional acceptance of students 12 years of age may be requested via the camp director. Students should prepare at least one solo piece for the first day of camp.
Several scholarships are available to help defray the cost of the camp. Please check the “Scholarships” tab on the main Summer Music Institute page to access this information. The Dorothy M. Price scholarship requires an application form.
Daily master classes will be presented.
Please submit a video link of one or more solo pieces to email@example.com by June 6, 2019 to be considered to perform in Professor Skelton's master classes.
Duet and Chamber Music Performances: upon arrival, each camper will be assigned a duet partner to study a four-hand piece. Students will collaborate for three days. This collaboration will culminate in a duet concert. A limited number of chamber music opportunities with string campers will also be assigned by the director.
The Final Concerts: two joint recitals are scheduled for Thursday evening and Friday morning, in which campers perform solo pieces selected by the piano faculty.
A daily recreation time is scheduled for campers to enjoy the facilities at the BGSU Recreation Center, located right next to the music building.
2019 Guest Artitst
Logan Skelton is a much sought-after pianist, teacher, and composer whose work has received international critical acclaim. As a performer, Skelton has concertized widely in the United States, Europe, and Asia and has been featured on many public radio and television stations including NPR’s Audiophile Audition, Performance Today, All Things Considered, and Morning Edition, as well as on radio in China and national television in Romania. He has recorded numerous discs for Centaur, Albany, Crystal, Blue Griffin, and Naxos Records, the latter on which he performed on two pianos with fellow composer-pianist William Bolcom.
Skelton regularly appears in such festival settings as Gina Bachauer, Amalfi Coast, Gijón, Eastman, Tunghai, Chautauqua Institution, American Romanian, Eastern, New Orleans, Poland International, Indiana University, Hilton Head Island, and the Prague International Piano Masterclasses. He is a popular presenter at music teacher organizations including numerous appearances at MTNA national conventions and EPTA World Piano Conferences, as well as serving as convention artist for state conventions in New York, Illinois, Michigan, Louisiana, North Carolina, Wyoming, Indiana, Ohio, and Iowa. Moreover, he has given countless performances and masterclasses at colleges and conservatories throughout the world. He is a frequent juror for international piano competitions. His Centaur Records compact disc, of all 20th-century American solo piano music, is titled American Grab Bag: Piano Music of Our Time. American Record Guide described this as a “fascinating recording,” commenting on Skelton’s “superb, wonderfully subtle and elegant playing … Bravo!”
As a composer, Skelton has a special affinity for art song, having composed nearly two hundred songs, including numerous song cycles, many of which have been recorded commercially and performed internationally. Critics have noted the close fusion of text and music in Skelton’s songs, how words are “…illuminated with brilliance and deep emotional power” (American Record Guide). In Fanfare magazine reviews, Skelton as a composer of song has been singled out for his ability to “… plumb the depths of emotion … these are exquisitely crafted art songs in the American tradition … we are in the hands of someone who lives and breathes song.”
A devoted teacher himself, Skelton has been repeatedly honored by the University of Michigan, including in 2003 the Harold Haugh Award for excellence in studio teaching, and most recently in 2017 with the Arthur F. Thurnau named professorship, among the highest honors given to faculty members at the university. Skelton’s own piano students and former students have won awards in many national and international competitions including Hilton Head, San Antonio, Cincinnati World, Washington, Bartók-Kabalevsky-Prokofieff, Fischoff, Jacob Flier, Iowa, Frinna Awerbuch, Eastman, Crescendo, Dallas, Missouri Southern, Los Angeles Liszt, Wideman, Concorso Internazionale di Esecuzione Musicale, Schimmel, Liszt-Garrison, Grieg Festival, Del Rosario, Beethoven Sonata, Ithaca, Piano Arts, Heida Hermanns, Dubois, Schmidbauer, Peabody Mason, Janáček, Seattle, Kingsville, New York, Oberlin, Idyllwild, as well as numerous Music Teachers National Association national competitions. His former students hold positions of prominence in music schools and conservatories throughout the world. He has served on the faculties of Manhattan School of Music, Missouri State University, and is currently Arthur F. Thurnau Professor of Piano and Director of Doctoral Studies in Piano Performance at the University of Michigan.