Solungga Liu

Click here for Solungga Liu's recital at the Library of Congress
Click here for Charles Griffes: The White Peacock

Pianist Solungga Liu has been praised as “prismatic, glowing, and even cinematic in
scope” (The Washington Classical Review), “masterful” (Clavier Companion), and
“sublime” (Seattle Post-Intelligencer), for her “excellent sound” (American Record
Guide) and “thoughtful interpretive style” (Atlanta Audio/Video). She is celebrated for
her advocacy of early twentieth-century American music, underrepresented works in the
classical repertoire, and her interpretation of contemporary compositions. Liu is a
recording artist with eleven commercial recordings as of 2026.

Liu’s 2017 debut at the Library of Congress was praised for its “rhythmic precision,
expression and a finely calibrated sense of balance between all of the moving parts.”
There she performed a solo recital of works by Charles Griffes, Amy Beach and César
Franck, a concert tailored to her strengths and uniquely composed of music from the
Library’s manuscript collection.

Hailed as “the best interpreter of Charles Griffes”, Liu’s recording “The Pleasure-Dome
of Kubla Khan: Piano Works of Charles Tomlinson Griffes” for Centaur Records
prompted the Library of Congress to request that she premiere Griffes’s 1915 piano
transcription of Debussy’s Les parfums de la nuit from his orchestral work Iberia, once
thought lost by Griffes’s biographers. About this world premiere, the Washington
Classical Review wrote, “The piece retained an orchestral spectrum of colors in Liu’s
hands. She served as the knowing conductor—the glue that held it all together while still
allowing the transcription to shine through on its own merits”.

A dedicated performer of new music, Liu has had numerous premieres and recordings of
contemporary works to her credit and has collaborated with many composers of our time.
Her recent projects have included ten video releases of works by Stephen Hartke, Eric
Nathan and Aaron Jay Kernis. Other major performances included Lutoslawski’s Piano
Concerto with OSSIA, Steve Reich’s The Desert Music and Tehillim with Alarm Will
Sound, Aaron Travers’s Concierto de Milonga, written for her and the Indiana University
New Music Ensemble, and Gregory Mertl’s Piano Concerto, commissioned by the Barlow
Endowment for her, conductor Craig Kirchhoff and the University of Minnesota Wind
Ensemble.

Liu enjoys an active career across five continents and has collaborated with orchestras
such as the National Theater Symphony Orchestra of Brazil, the National Institute of
Health’s Philharmonia in Washington, D.C., the Taipei Metropolitan Orchestra, and the
Toledo Symphony Orchestra/Choral Society. She has performed solo and chamber
concerts at venues such as Carnegie Hall, The National Concert Hall in Taiwan, the
Goethe Center in Bangkok, the Brazilian National Museum of Sculpture (MUBE) in São
Paulo, and the Cultural Center of Brasília (CCBB), where she presented a series of solo
recitals for the public as well as for members of the Cabinet and the Supreme Labor
Court of Brazil.

In 2026, Liu was appointed Professor of Creative Arts Excellence at Bowling Green State
University to celebrate her exceptional performing career. In addition to her dedication to
students at BGSU, Liu is a sought-after Artist-Teacher at major international festivals and
competitions, among them the Lied Center for Performing Arts Summer Piano Academy,
the Eastman School of Music Summer Piano Festival, the Atlantic Music Festival, the
Sicily International Piano Festival and Competition, the Thailand International Mozart
Competition, and the Piano Plus International Piano Festival in Greece.
Liu holds a doctoral degree in piano performance from the Eastman School of Music where
she studied with Alan Feinberg, Douglas Humpherys and Elizabeth DiFelice.

http://www.solungga.com