MACCM Projects & New Music Events

Ongoing Projects Across the College of Musical Arts

The annual Bowling Green New Music Festival

RESONATE - a multi-year collaboration that will explore the African Diaspora through the lens of contemporary American chamber music in partnership with Detroit Chamber Winds and Strings, the Carr Center, Oberlin College-Conservatory, the University of Michigan, Michigan State, and Western Michigan.

Additional seasons of Living American Composers: New Music from Bowling Green, produced in partnership with WGTE Public Media

EAR|EYE: Listening and Looking, a collaborative project featuring BGSU DMA students performing at the Toledo Museum of Art

New Music from Bowling Green, a multi-year recording project featuring the Bowling Green Philharmonia

Ongoing partnerships in collaboration with the Klingler Electro-Acoustic Residency (KEAR)

The annual Toledo Symphony Orchestra Composer Readings

Student composer performances, residencies, and special events through the Composition Department

Music at the Forefront 24-25

A showcase for exceptional performers of contemporary music

HUB New Music
CONCERT: Thursday, September 19, 2024 - 8pm, Bryan Recital Hall

Called “contemporary chamber trailblazers” by the Boston Globe, Hub New Music is a “prime mover of piping hot 21st century repertoire” (Washington Post). Founded in 2013, the Detroit-based ensemble has commissioned dozens of new works for its distinctive ensemble of flute, clarinet, violin, and cello. Hub’s “nimble quartet of winds and strings” (NPR) actively collaborates with today’s most celebrated composers on projects that traverse today’s rich musical landscape. 

Recent and upcoming performances include concerts presented by the Kennedy Center, Seattle Symphony, Morgan Library, Suntory Hall (Tokyo), the Williams Center for the Arts, Cynthia Woods Mitchell Center, King’s Place (London), Soka Performing Arts Center, Arizona Friends of Chamber Music, and the Celebrity Series of Boston. 

Hub continues its 10th Anniversary Commission Project in 2023-24 with new works by Andrew Norman, Tyshawn Sorey, Angélica Negrón, Marcos Balter, Donnacha Dennehy, Nico Muhly, and Jessica Meyer. As part of the project, Hub also launched a fellowship in collaboration with the Luna Lab, awarded to recent alumna Sage Shurman. The coming season also brings continued performances of Gala Flagello’s concerto The Bird-While and Carlos Simon’s Requiem for the Enslaved. Upcoming commissions include Nina C. Young’s to hear the things we cannot see, and major new works from Christopher Cerrone. 

Hub New Music’s recordings have garnered consistent acclaim. In 2022, Hub recorded Carlos Simon’s Requiem for the Enslaved (Decca Classics), which was nominated for a Grammy Award for Best Contemporary Classical Composition. This season, Hub releases its fourth album, a distance, intertwined with Silkroad’s Kojiro Umezaki (shakuhachi) and the Asia-America New Music Institute on In a Circle Records. Hub’s debut album, Soul House, released on New Amsterdam Records, was called “ingenious and unequivocally gorgeous” (Boston Globe) and “intensely poignant.” (Textura)

As educators, Hub is dedicated to empowering future generations of artists. The ensemble was recently in residence with the Los Angeles Philharmonic’s Nancy and Barry Sanders Composer Fellowship program, working  with 10 outstanding high school aged composers. Hub has been guests at leading institutions such as Princeton, University of Michigan, University of Texas, CCM, University of Southern California, and Indiana University.

Hub New Music is Michael Avitabile (flutes), Gleb Kanasevich (clarinets), Meg Rohrer (violin/viola), and Jesse Christeson (cello). Currently based in Detroit, the ensemble’s name is inspired by its founding city of Boston’s reputation as a hub of  innovation. Hub New Music is exclusively represented by Unfinished Side.

This concert is part of the 24-25 Klingler Electro-Acoustic Residency.

Carl Stone, composer/performer
CONCERT: Monday, December 2, 2024 -8pm, Fine Arts Center Galleries

Carl Stone is one of the pioneers of live computer music, and has used computers in live performance since 1986. He has been hailed by the Village Voice as “the king of sampling.” and “one of the best composers living in (the USA) today.”. RELIX has written that “Stone makes music that can hit your ear holes like a DMT flash.” He was born in California and now divides his time between LA and Japan. He studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. His works have been performed in the U.S., Canada, Europe, Asia, Australia, South America and the Near East. In addition to his schedule of performance, composition and touring, he is the emeritus professor in the Department of Media Engineering at Chukyo University in Japan.

A winner of numerous awards for his compositions, including the Freeman Award for the work Hop Ken, Carl Stone is also the recipient of grants from the National Endowment for the Arts, the Rockefeller Foundation and the Foundation for Performance Arts. A winner of numerous awards for his compositions, including the Freeman Award for the work Hop Ken, Carl Stone is also the recipient of grants from the National Endowment for the Arts, the Rockefeller Foundation and the Foundation for Performance Arts. His 3-LP release “Electronic Music from the Seventies and Eighties” on the Unseen Worlds label placed #1 in The Wire Magazine’s “Best of 100” 2016 Archival category (the follow up release the next year ranked #3).

In 1984 he was commissioned to compose a new work premiered as part of the Olympic Arts Festival in Los Angeles. His music was selected by the dancer/choreographer Bill T. Jones for the production 1-2-3. in that same year. In 1989 he resided for 6 months in Japan under a grant from the Asian Cultural Council and in that same year, The Museum of Contemporary Art, Los Angeles commissioned a new work, Thonburi as part of the radio series “Territory of Art”. In 1990 he was commissioned to create music for a 60-minute program for ZDF Television in West Germany entitled Made in Hollywood. In 1991 he received separate commissions from Michiko Akao (She Gol Jib, for traditional Japanese flute and electronics), Sumire Yoshihara (for percussionist and electronics) and Sony PCL (Recurring Cosmos, for High Definition video and electronics), which was awarded special honors at the International Electric Cinema Festival in Switzerland in 1991. In 1993, he was commissioned by the Paul Dresher Ensemble to create a new work, Ruen Pair, with funds from the Meet the Composer/Reader’s Digest Commissioning Program. In 1994 he was commissioned by the Strings Plus Festival, Kobe to create Mae Ploy, for string quartet and electronics. In that same year he also created Banh Mi So, for ondes martenot and piano, at the request of Takashi Harada and Aki Takahashi. In 1995, he was commissioned by NTT/Japan to create a new work for the internet , Yam Vun Sen, as part of IC95. In 1996, with support from the Rockefeller Foundation, he created music for The Noh Project, a collaboration with choreographer June Watanabe and Noh master Anshin Uchida. In 1997 he was commissioned by Bay Area Pianists and Cal Performances to create a new work, Sa Rit Gol, for disklavier and pianist, as part of the Henry Cowell Centennial Celebration at UC Berkeley. Other festival performances in 1997 included Other Minds (San Francisco) and TonArt (Bern). In 1999 he was invited as Scholar-in-Residence at the Rockefeller Foundation Bellagio Study and Conference Center. In 2001 he served as Artist-in-Residence at the International Academy of Media Arts and Sciences (IAMAS) in Japan, and in that same year he joined the faculty of Chukyo University’s School of Cognitive and Computer Sciences.In 20011 he was named an Artist Fellow by the Civitella Ranieri Foundation in Italy.

Recordings of Carl Stone’s music has been released on New Albion, CBS Sony, Toshiba-EMI, EAM Discs, Wizard Records, Trigram, t:me recordings, New Tone/Robi Droli, Unseen World and various other labels.

Carl Stone’s music has been used by numerous theater directors and choreographers including Hiroshi Koike, Akira Kasai, Bill T. Jones, Setsuko Yamada, Ping Chong, June Watanabe, Kuniko Kisanuki, Rudy Perez, Hae Kyung Lee, and Blondell Cummings. Musical collaborations include those with Akaihirume, Michiko Akao, Pearl Alexander, Samm Bennett, Sarah Cahill, Gianni Gebbia, Mineko Grimmer, David Grubbs, Haco, Alfred Harth, Madoka Kono, Gil Kuno, Min Xiao-Fen, Otomo Yoshihide, SAEBORG, Kazue Sawai, Elliot Sharp, Yasuaki Shimizu, Stelarc, Aki Takahashi, Yuji Takahashi, Tosha Meisho, Kazuhisa Uchihashi, Wu Na, Wu Wei, Michiyo Yagi, Ami Yamasaki, Miki Yui and z’ev.

Carl Stone served as President of the American Music Center from 1992-95. He was the Director of Meet the Composer/California from 1981-1997, and Music Director of KPFK-fm in Los Angeles from 1978-1981. In 2019, DUBLAB.com reissed a series of radio conversations Stone had on KPFK-fm with Brian Eno, Frank Zappa, Terry Riley, Morton Subotnick, Harold Budd and others. Further activities have included serving as a regular columnist for Sound & Recording Magazine in Japan, serving as web editor for Other Minds, and for the official web site of the John Cage Trust.