Yevgeny Yontov has established himself as one of the leading Israeli pianists of his generation. As finalist in the 2017 Arthur Rubinstein International Piano Master Competition, he received the Prize for Best Performance of Chamber Music, and the Prize for the Best Israeli Pianist. Other international top prizes include gold medals at the Wideman International Piano Competition and Berliner International Music Competition, as well as additional prizes at the Boesendorfer International Piano Competition, the Olga Kern International Piano Competition, and the Pinerolo International Piano Competition, among others.
A founding member of icarus Quartet, an award-winning 2piano/2percussion group, from 2015 to 2022, Mr. Yontov holds chamber music close to heart. He has performed chamber music in Israel, Europe, Asia, and North and South America, in venues that include Carnegie Hall and the John F. Kennedy Center for Performing Arts in Washington D.C. Chamber colleagues include distinguished artists, such as David Shifrin, Roberto Diaz, Tara Helen O’Connor, Fred Sherry, and many others, including members of established string quartets like the Orion, Dover, Aviv, and Miro Quartets. Mr. Yontov has also performed in numerous chamber festivals, most notably returning visits to Chamber Music Northwest.
As a soloist, Mr. Yontov has performed on stages across Israel, the US, China, Hong Kong, Korea, Japan, and many European countries. Orchestral engagements include numerous orchestras in the US, including orchestras in New York, Pennsylvania, Connecticut, Florida, Louisiana and Arkansas, and all major Israeli orchestras. He also performed on Israeli national TV, and recorded for Israeli, US, Portuguese and Spanish radios.
Mr. Yontov’s playing can be found on a number of commercial CDs, including his own debut CD, “Schubert: Piano Variations,” released on Naxos Records in 2017, “Big Things,” icarus Quartet’s debut album released on Furious Artisans in 2022, “Samuel Adler: A Celebration of Sam @ 95” released on Toccata Classics in 2022, and “Turning into Song” released on Musica Solis in 2023.
Mr. Yontov began his musical studies at the age of six with Adela Umansky, and later received his B.Mus degree summa cum laude from the Buchmann-Mehta School of Music at Tel-Aviv University, where he studied with Prof. Arie Vardi. He then moved to the US to study with Prof. Boris Berman at the Yale School of Music, from which he received his M.M. and D.M.A. degrees.
Mr. Yontov has given masterclasses across the US, Israel, and China. In 2018, he joined the faculty of Bowling Green State University, where he serves as Assistant Professor of Piano.
Described by the Chicago Sun Times as “…riveting and insightful, who lights up in passages of violin pyrotechnics,” Caroline Eva Chin has concertized throughout the United States, Europe, and Asia in concert halls including the John F. Kennedy Center, the White House during their Christmas Festivities, New York’s Carnegie and Weill Halls, and the Concertgebeau in Amsterdam. She gave her solo debut at age 12 and has since performed with several orchestras throughout the United States.
An avid chamber musician, Ms. Chin has been a member the Hudson Piano Trio, Ensemble Epomeo, and collaborated with members of the Takács Quartet, Vermeer Quartet, the Juilliard Quartet as well as with artists Gary Hoffman, Raphael Wallfisch, Colin Carr, Nobuko Imai, Charles Neidich, Piers Lane, Vladimir Mendelssohn, Roger Chase, and Abdel Rahman El Basha. She has been featured as a guest artist at the Consonances Festival in France, Schiermonnikoog Chamber Music Festival in Holland, the 2 Rivers Chamber Music Festival in the UK, the Scotia Festival in Canada, and the Newburyport Chamber Music Festival in Massachusetts.
A promoter of new music, she has performed works of composers Samuel Adler, Lisa Bielawa, Richard Carrick, Christopher Dietz,Jennifer Higdon, Mikel Kuehns, Paul Moravec, Marilyn Shrude, Alexandra Vrebelov, and a world premiere of Triple Concerto: Da Camara by Pulitzer Prize winning composer, George Walker. Recordings include the world premiere Elliott Carter’s Tre Duetti for Violin and Cello on Centaur Records as well as recordings on Avie Records, Somm Records, and New World Records.
While on tour, she has given master classes at universities and colleges throughout the U.S. including Ohio University, University of Tennessee, Shenandoah College, and Brooklyn College. Ms. Chin has toured the US and Japan with tap dancer Savion Glover and performed and recorded as leader of SONYC and concertmaster of the Paragon Ragtime Orchestra. As the Artistic Director of Musica Reginae from 2007-2011, she worked to bring high quality music performances to the ethnically diverse communities of Queens.
Ms. Chin is Associate Professor of Violin at Bowling Green State University's College of Musical Arts. She received her Bachelor of Music Degree from Indiana University’s School of Music as a student of Miriam Fried and has received her Master of Music Degree from the Juilliard School as a student of Robert Mann.
www.carolineevachin.com
Violist Hannah Levinson is an in-demand performer of contemporary and classical music. She has recently been featured as a soloist and chamber musician at Carnegie Hall, The Stone, 92Y, Miller Theater, Willamette Valley Chamber Music Festival, June in Buffalo, and the Andy Warhol Museum, and at international festivals including the Kroch Festival (Stockholm), Musikprotokol Festival (Graz), Projektgruppe Neue Musik (Bremen), and Festival Musica (Strasbourg). Dedicated to working with living composers, Hannah has commissioned and premiered over 40 chamber and solo works.
Hannah is a founding member and Executive Director of the violin/viola duo andPlay, described by I Care If You Listen as “enthusiastic champions for new music and collaboration.” andPlay’s most recent album, Translucent Harmonies (2023), was released in September 2023 on the UK-label, Another Timbre. Featuring works by Catherine Lamb and Kristofer Svensson, the album was included on Bandcamp’s “Best Contemporary Classical: September 2023” and Steve Smith’s “2023, for the record.”
Committed to both contemporary and classical repertoire, Hannah is also a member of the Talea Ensemble (“a crucial part of the New York cultural ecosphere” New York Times), Fair Trade Trio, and the Albany Symphony Orchestra, and a former member of the Pittsburgh Opera Orchestra. She frequently performs with NYC ensembles including the International Contemporary Ensemble, either/or, counter)induction, Heartbeat Opera, Cantata Profana, Contemporaneous, and The Rhythm Method Quartet.
A strong believer in sharing her artistic practice with her local community, Hannah is committed to audience engagement events through “andPlay (in) conversation,” a free series in Upper Manhattan that provides opportunities for audiences to look inside the collaborative process of creating music, and through performances with organizations including “Music for Autism.”
Before her appointment at BGSU, Hannah was Music Artist Faculty at NYU Steinhardt and at the Manhattan School of Music Precollege. She earned her degrees at Oberlin College and Conservatory (BM in Viola Performance, BA in Russian East European Studies), Manhattan School of Music (MM in Contemporary Performance), and NYU Steinhardt (PhD in Performance). Her primary teachers include Karen Ritscher, Martha Strongin Katz, and Nadia Sirota. Her research explores how interactions between composers and political structures affect the creation of new music.
Praised by the Boston Globe for his “…pugnacious, eloquent, self-assurance…”, cellist Brian Snow has earned a reputation as a compelling and versatile performer and a skilled educator. Dr. Snow has performed and recorded with a variety of artists, including Meredith Monk, The National, Max Richter, Björk, and the Emerson String Quartet and has worked closely with composers including Nico Muhly, David T. Little, and Martin Bresnick. In 2013, he and violinist Caroline Chin released a critically acclaimed CD of violin and cello music by Elliott Carter on Centaur Records. He has also appeared on New Amsterdam, Innova, Deutsche Gramophon, Cantaloupe, and Naxos labels. He has performed at venues including Carnegie Hall, Alice Tully Hall, Bargemusic, 92nd St. Y, Muziekgebouw in Amsterdam, and Suntory Hall in Tokyo, Japan, and has performed regularly with many prominent contemporary music ensembles, including ACME, Alarm Will Sound, Da Capo Chamber Players, and Talea Ensemble. As principal cellist of New York Symphonic Ensemble, Dr. Snow performed in halls throughout Japan on that ensemble's annual tours and has appeared as soloist at halls in Fukuoka and Sendai. Other concerto appearances include Riverside Orchestra in New York, Longy Chamber Orchestra in Boston as winner of the Longy Concerto Soloists Competition, Crescent City Symphony in New Orleans, the Hartt Symphony as first prize winner of the Paranov Competition, and the BGSU Philharmonia. Dr. Snow has presented recitals and masterclasses nationally and internationally at institutions including Oberlin Conservatory, University of Missouri, Sam Houston State University, and Sichuan Conservatory in Chengdu, China. Dr. Snow received a DMA from Stony Brook University, a MM from Yale, and holds degrees from Hartt and Longy Schools of Music. His teachers have included Aldo Parisot, David Finckel, and Colin Carr. Dr. Snow has previously served in faculty positions at Sarah Lawrence College, Western Connecticut State University, and Brooklyn Conservatory and currently serves as Associate Professor of Cello at Bowling Green State University. In the summers, Dr. Snow serves on the faculty of the Brevard Music Center. He performs on a cello made by master American luthier Jon van Kouwenhowen.
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Updated: 09/18/2024 03:52PM