Small Ensembles


Sidra Lawrence, director

The BGSU Afro-Caribbean Ensemble performs traditional songs, percussion music and dance from sub-Saharan Africa and the Carribean. During the academic year, performances are given on campus and in neighboring communities. Enrollment is open to all students.


Arne Spohr, director (Guido’s Band)

The Early Music Ensemble performs music of the Middle Ages, Renaissance and Baroque periods. The ensemble is made up of undergraduate and graduate students in music and occasionally students from other programs. The vocal ensemble consists of 10–15 auditioned singers; the instrumental ensemble (Guido’s Band) is open to anyone proficient in a modern instrument who wants to learn the early instruments (recorder, lute, viola da gamba, Renaissance fiddle, cornetto, crumhorn). The group performs regularly on campus and at schools and community concerts in northwest Ohio.


Allison Eckardt Merrill, director

Taiko is a form of Japanese Ensemble drumming that has become popular across Japan, then United States, and around the world.  Students will perform in the ensemble, learning multiple pieces and performing in World Percussion Night.  Music is learned aurally, so music reading ability is not necessary, but you should be ready for lots of physical movements.

Kurt Doles, director

Kusuma Sari (Inner Flower) is the gamelan gong kebyar orchestra from Bali, Indonesia, housed at the College. Consisting largely of gongs and metallophones, the gamelan performs the dynamic traditional music of Bali as well as modern compositions by American and Balinese composers. Kusuma Sari is directed by David Harnish and presents biannual concerts, performs at community events, and occasionally goes on tour. Enrollment is open to all students.

Robert Desmond, director

Composed of undergraduate and graduate students, the new Steel Drum Ensembles (founded in 2007) perform music ranging from traditional Carribean tunes to modern jazz arrangements. Students learn instruments ranging from bass pan up to lead tenor as well as “engine room” percussion—drum set, timbales, congas, shakers, etc. Steel Drum Ensembles are open to all students.

Christopher Dietz, director

The New Music Ensemble presents the works of our time in several concerts each year. Besides the traditional repertoire, the ensemble also focuses on improvisation and collaboration with artists from other disciplines.


Susan Nelson, Director

The Bassoon Ensemble performs a variety of music and musical styles. Begun in 1996, the ensemble has presented concerts on and off campus.

Kevin Schempf, director


The Clarinet Choir performs new works and transcriptions for multiple clarinets, and presents a concert each semester.

Chris Buzzelli, director

The Classical Guitar Ensemble has participated in the Mid-America Guitar Ensemble Festival. Recently, we have aquired a number of alto, bass and contrabass guitars for use in the Classical Guitar Ensemble.

Conor Nelson, director

Flute Choir is usually offered in the fall semester and at other times upon request. Smaller ensembles are available both semesters. The ensembles offer the experience of using the alto and bass flutes along with piccolos and standard flutes.

Andrew Pelletier, director

The Horn Club, founded by the late Herbert Spencer and now under the direction of Andrew Pelletier, is comprised of students, staff, alumni and community members performing a wide variety of music of transcribed and original music for horn ensemble. The group performs several times annually, both on and off campus, including educational outreach concerts.

Dan Piccolo, director

The Percussion Ensemble was first organized in 1968. Comprised of graduate and undergraduate percussion majors at the college, the group performs on a number of concerts each semester.

William Mathis, director

The Trombone Choir, under the direction of William Mathis, is comprised of undergraduate and graduate trombone majors in the college performing a wide variety of music of transcribed and original music for large and small trombone ensembles. This group maintains both a performance and pedagogical mission, where students of all levels perform together and learn from each other. The ensemble performs regularly on- and off-campus and has been featured at churches, public schools and universities in Ohio and Michigan.


Charles Saenz, director

The Bowling Green Trumpet Ensemble was founded in 1983 by Professor Emeritus of Trumpet Edwin Betts and several graduate trumpet students at the College. Currently under the direction of assistant professor of trumpet Charles Saenz, the ensemble, comprised of ten to 12 members, performs on a regular basis on and off the campus including regular trips to perform at the annual Ohio meetings of the International Trumpet Guild.

The Ensemble provides students the opportunity to hone their performance and ensemble skills in an intensive chamber music environment, exploring the breadth of trumpet ensemble music from the Baroque to the present.

David Saltzman, director

Comprised of 16 members, the ensemble provides students with an intensive chamber music experience of the literature written for and transcribed for the ensemble.