Black Music Culture 2008 Panel Sessions
BLACK MUSIC CULTURE AREA PANELS
Co-Area Chairs: William C. Banfield, Angela M. Nelson
2008 NATIONAL PCA/ACA CONFERENCE
San Francisco Marriott ( San Francisco, California)
Black Music Culture I: Jazz and Blues
#011, Wed., 3/19/08, 1230pm-200pm
Chair: Daniel Hartley, University of Maryland-College Park
No Weary Blues: Arlen and Koehler's Fantasized Harlem and the Cotton Club Parades
Malcolm Womack, University of Washington
Sun Ra's Interplanetary Cinematic Adventure: Jazz, Film Genres, and African American Cultural Politics in Space is the Place
Michael Borshuk, Texas Tech University
Writing Blue: Performing Spirituality, Freedom and Repetition in Blues Literature
Michael Perry, Arizona State University
Recuperating Blues in Walter Mosley's RL's Dream and Craig Brewer's Black Snake Moan
Daniel Hartley
Black Music Culture II: Hip-Hop Culture: Gender Identity, Music, and Movement
#112, Wed., 3/19/08, 630pm-800pm
Chair: Jason Nichols, University of Maryland & Words, Beats and Life Journal
Hip Hop's Disposable Bodies: Authenticity, Revolution, Commerce and Slavery
leon anthony james, New School University
From Party Tape to MP3 Download: A Cultural History of the Mixtape
Nicholas Schonberger, Words, Beats and Life Journal
Lean Wit' It: Masculinity and Movement within Hip Hop
Jason Nichols
Black Music Culture III: Blues/Hip-Hop Philosophy and Practice
#162, Thu., 3/20/08, 800am-930am
Chair: William C. Banfield, Berklee College of Music
Hip-Hop as Music and Production
Prince Charles Alexander, Berklee College of Music
"I Got What It Takes": Willie Dixon's Work for Koko Taylor
Mitsutoshi Inaba, Independent Scholar
Comments
William C. Banfield
Black Music Culture: Area Meeting
#269, Thu., 3/20/08, 230pm-400pm
Chairs: William C. Banfield, Berklee College of Music and Angela M. Nelson, Bowling Green State University
The Black Music Culture Area Co-Chairs will lead an interactive session with the 2008 presenters to discuss the aims and purposes of the area, overview the panel presentations, and speculate on the reasons for the dearth of scholarship on black popular music (specifically, R & B and gospel) presented at the conference and the high volume of presentations on hip-hop culture.
Black Music Culture IV: Philosophy and Practice
#597, Fri., 3/21/08, 630pm-800pm
Chair: William C. Banfield, Berklee College of Music
Hip-Hop Music as Black Popular Culture
Angela M. Nelson, Bowling Green State University
Gospel Music Culture
Stephen Michael Newby, Seattle Pacific University
Rays of Hope: The Impact of Early Education Intervention through Music on Urban Children
Krystal P. Banfield, Berklee College of Music
Black Music as Cultural Code
William C. Banfield
Black Music Culture V: Philosophy and Practice IX
#606, Fri., 3/21/08, 830pm-1000pm
Chair: Gerwin Gallob, University of California, Santa Cruz
From Habermas to Hip Hop: Symbolic Power in the Black Public Sphere
Derrais Carter, University of Kansas
Ugly Edits: Theo Parrish and Black Aesthetic Militancy
Gerwin Gallob
Black Music Culture VI: Hip-Hop Culture 3: Tradition and Community Engagement
#664, Sat., 3/22/08, 1000am-1130am
Chair: Beauty Bragg, Georgia College and State University
21st Century Mojo: Hip Hop as a Conjuring Tradition
J. Sean Callahan, University of Georgia
"It Ain't Where You From, It's Where Your At": Navigating between Hip-Hop Culture and Local Community in Los Angeles
Sean Slusser, University of California, Riverside
Black Music, Black Literature: A Shifting Tradition
Beauty Bragg
Black Music Culture VII: Hip-Hop Culture: Hip-Hop and the Hero
#717, Sat., 3/22/08, 1230pm-200pm
Chair: Cutler Edwards, University of California, Davis
Kung-Fu Cowboys
Cutler Edwards
Black Music Culture VIII: Hip-Hop Culture 1: The Formation of the Hip-Hop Nation: Hustling, Seduction, Identity, Métissage and the Semiotics of Africanist Aesthetic
#737, Sat., 3/22/08, 230pm-400pm
Chair: Awad Ibrahim, University of Ottawa, Canada
From the 'hood to the Boardroom: Hip-Hop Hustling and the Practice of Capitalism with Ethics
Halifu Osumare, University of California, Davis
He Hollered and They Heard Him: Tupac, Thug Life, and the Scarface Corporate Agenda
Rev. Robero Prince, Bowling Green State University
Performing Identity: Hip-Hop, Race, Empire, and the Politics of Cultural Translation
Awad Ibrahim
Updated: 06/24/2019 08:50AM