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26th New Music & Art Festival slated BOWLING GREEN, O.—Special guest composer Samuel Adler and the Merling Trio of Western Michigan University will be among the
headliners at Bowling Green State University’s 26th annual New Music & Art Festival Oct. 27-29.
Nearly three dozen composers and artists will be showcased during the three-day international festival of concerts, video
screenings, performance art, lectures, exhibitions and workshops.
Hosted by BGSU’s MidAmerican Center for Contemporary Music and the Fine Arts Center Galleries, the festival celebrates new
work and new media.
Adler, a faculty member at Juilliard and Professor Emeritus at the Eastman School of Music, “consistently finds new things
to say within his chosen musical language and makes wonderfully resourceful use of his … forces,” writes Fanfare magazine.
Adler’s “forces” range from choirs to small chamber ensembles to such esteemed orchestras as the New York Philharmonic, the
Chicago Symphony and the Boston Pops.
Formerly both a Guggenheim and MacDowell fellow, he has also been honored by the Music Teachers National Association and has
won the ASCAP Deems Taylor Award for his book on orchestration.
The Merling Trio, an international ensemble combining musicians of Polish, Japanese and Dutch backgrounds, has given numerous
recitals throughout the United States and Canada. The group has performed works by contemporary composers to great success,
leading Fanfare to claim “the composer could not ask for better interpreters.”
The festival’s featured art exhibition is “DNA (do not assume...),” which examines the controversial issues of DNA ownership,
personal privacy and genetic discrimination with visually fascinating images and ideas. The artists include Suzanne Anker,
Larry Miller, Paul Vanouse, Amy M. Youngs (cq) and Gregory Little, an assistant professor of art at BGSU.
Anker, a visual artist and theoretician working with genetic imagery, will create a site-specific installation for the exhibition.
In 1994, she was curator of Gene Culture: Molecular Metaphor in Contemporary Art, the first exhibition devoted entirely to
the intersection of art and genetics, at Fordham University.
Miller is an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines.
He was in the vanguard of using DNA and genetic technologies as new art media.
Vanouse's Relative Velocity Inscription Device (2002) uses game theory to question the veracity of DNA sequencing. Placing
DNA samples from his own interracial family into a genetic sequencing gel, he positions the four specimens in a "race" about
race.
Youngs creates mixed-media, interactive sculptures and digital media works that explore the complex relationship between technology
and our changing concept of nature and self. In addition to staging exhibits, she has published several essays, including
one on genetic art in the journal Leonardo.
The festival will also feature “Terminal Time,” a multimedia history engine combining audience participation, real-time graphics
and artificial intelligence to create a customized half-hour experience covering 1,000 years of human history. Steffi Domike,
Michael Mateas and Vanouse created the project.Also on the schedule are two musical world premieres—one by Larry Austin, for
clarinet and electronics, and the other by Steve Ricks. The latter is made possible by a grant from the Barlow Endowment at
Brigham Young University.
In addition, the festival will include music by BGSU alumnus Peter Terry; Symeon Waseen (cq), a master’s degree candidate
in composition from Duluth, Minn.; BGSU Distinguished Artist Professor Dr. Marilyn Shrude, and Dr. Elainie Lillios (cq), an
assistant professor of composition.
Organized by Dr. Burton Beerman, director of the MidAmerican Center for Contemporary Music, and Jacqueline Nathan, director
of the Fine Arts Center Galleries, the festival supports the creation of new work and engages both the University and city
communities in art appreciation and awareness.
In addition to the MidAmerican center and the galleries, sponsors include the College of Musical Arts and the Medici Circle
at BGSU, as well as the Ohio Arts Council.
For a complete schedule, contact the MidAmerican center at 419-372-2685 or visit
http://festival.bgsu.edu.
Most events are free and open to the public. For those events requiring tickets, contact the Moore Musical Arts Center box
office at 419-372-8171 or 800-589-2224.
(Posted October 19, 2005 )
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