

Group
Leader: Kara Cox
Proofreader: Todd
Buck
Web Page Design: Warren Chan & Timothy Booker
Editors: Krystal
Clemente & Kara Cox
Writers: Andrew Church, Brad Coombe, Krystal Clemente, Sarah Broerman, Warren Chan, Timothy Booker, Kara Cox & Todd Buck
and welcome to our newsletter. The focus of our collective articles is the
portrayal, mostly negative and unfair, of women in the visual media. This generally covers magazines and
television and the advertisements featured therein. We find that one of the most prevalent and malignant forms of
reaction to such stimuli is ignorance.
Therefore, it is our goal to present you with some information in a new
perspective. Our goal is reached if, in
the course of reviewing our research, a reader stops reading in a mental
crystallization. Any resident in the
consumer world has all of the pieces to the puzzle of female exploitation and
degradation in his or her head, and all that is needed is a catalyst to
clarity. Please continue and keep an
open, thinking mind. Thank you.
Who Really Wins?
By: Krystal Clemente
Everywhere is the potential of influence, the chance to
be persuaded and informed of things you did not even know were there.
Televisions are in almost everyone’s home “every day and every night, for good
or bad it is part of us” (Ashton, 2002). The manner women are typically
portrayed in the media relates directly to the types of media that exist, in
this case it is spotlighting reality television programs and game shows. These
specific types of programs particularly exploit women (Ashton, 2002). Although
prejudices more often then not are becoming left behind in this genre of
television stereotyping is seemingly inevitable. Stereotypes are “like codes
that give audiences a quick, common understanding” (Smith, 2002). Therefore a
woman’s “role in society is already laid down,” and women are definitely not
portrayed or viewed as equals with men (Mannix, 2002).
Networks
offer shows such as Fear Factor, The Price is Right, The Anna
Nichole Smith Show, Survivor, Wheel of Fortune, and Big
Brother, which seem to only feature women for viewing pleasure. The public perception of women is altered by
the way these specific types of shows represent women. Case in point, the women
chosen such as Helen on Big Brother and Anna on The Anna Nichole
Smith Show are illustrated as unintelligent, ditzy, and childlike (Hill,
2001). These types of women are misrepresenting every woman and are only there
for entertainment value, to draw attention and certainly not to be taken
seriously.
Women on television have to “be beautiful, thin and
younger than their male counterparts and willing to use heir sexuality for
laughs and titillation” (Ashton, 2002). Women accent and assist the leading male
of a show and are there basically to add visual appeal. The truth is it works;
beautiful women make anything look better and more desirable from household
cleaners to extravagant cars. Game shows like Wheel of Fortune and The Price
is Right have capitalized on this notion of the universal appeal of a
beautiful woman to accent the prizes on their shows.
Where as a man regardless of how attractive he was
would look ridiculous flaunting him self around prizes (Batty, 2002). These
informal regulations have caused scandals to break out on The Price is Right
when some of “Barker’s Beauties” were fired for being too old, or for gaining
weight and replaced with younger, thinner, more beautiful women.
However, society seemingly tries to balance out the
wrongs with the rights when executive decision makers do not predetermine the
winners such as on Survivor and Boot Camp. Both reality shows can
be often characterized as a man’s game, but both reality shows have had
a final outcome where a woman won beating out many
men. Although with any type of minority including women there rarely is a large
voice to defend them, but society will not always continue to endorse such a
crude way of thinking. Unfortunately as long as the most revenue is being taken
in, those dollars will have the power. The power money contains will continue
endorsing products. Those endorsements have led to the “destructive behavior
that reinforces the inequalities between women and men” (Ashton, 2002). Women
have very little say about how they are represented and are hardly seen as
strong and capable (Smith, 2002). Women in today’s society are becoming
stronger yet are less respected. The continued negative reinforcement game
shows and reality television has on women maintained the way society and media
will use women. It is only adding fuel to the fire that is already burning.
The Perceptions Left Behind by women in
videos
By: Brad Coombe
The perception of women today in entertainment is
that they are sex objects. The media
uses women to promote everything, as it was stated before, “sex sells.” For example, the Miller Lite commercial has
two women arguing over why they think the beer is the best and then they start
ripping each other’s clothes off in a seductive manner. More importantly, the media uses attractive
women to make money and because of this, there are false perceptions of
women. Concerning this, I will be
discussing how women are perceived in home entertainment.
First of all, there are many media
where men and women can get false perceptions of women. One of the most recognized pieces of home
entertainment portraying young, attractive, wild girls on spring break is the
Girls Gone Wild series. These videos
indicate that girls on spring break get drunk and take their clothes off and
the girls deem it to be acceptable behavior.
The important factor here is that the girls are being marketed for a
company that ends up making millions of dollars off of them and they do not
receive anything, but it is their raunchy behavior that is selling on
video. The company that is marketing
the Girls Gone Wild videos is a
mastermind. The president of Girls Gone
Wild is Joe Francis and according to an article in the Arizona Republic Staff
Editorial, “last year he sold ninety-million dollars worth of Girls Gone Wild
videos” (Arizona Republic, 2003). Not
only that, but he hired Snoop Dogg, a well-known rapper, to take a camera crew
down to the hottest spring break places to capture drunk girls doing crazy
things. “They line up to get drunk and
degrade themselves for the lecherous amusement of others. They think they are hip and in control of
their bodies” (Arizona Republic, 2003).
So what do these girls think once they sober up, get back from spring
break, and see that they are on the cover of a video that is selling their
bodies? In an interview, Denise, who
was a girl on the Girls Gone Wild video, explained, “I feel embarrassed and
ashamed. I cannot believe I acted that
way and I really hurt my parents,” (Summers, 2003).
Moreover,
this type of home entertainment puts false perceptions of women into the
mainstream of America; such as women are objects, unintelligent, and
irresponsible. Furthermore, according
to the Arizona Republic their staff sees them as, “silly little girls whose bodies
matured before their brains did” (Arizona Republic, 2003). Many women do not want to be categorized as
that. There are women who are
generalized because of what other women have done and that is a shame. The perception of college girls being wild,
irresponsible, promiscuous, unintelligent fools is the reputation those girls
on the videos are giving to the rest of the girls and it creates problems when
there are encounters with the opposite sex.
For example, men who negatively generalize women probably would not have
much respect for women and that could cause conflicts between them.
In conclusion, home entertainment leaves behind perceptions that affect
women and men’s views. For girls on
spring break acting “wild” because of alcohol, it gives the impression to men
that all they have to do is give women alcohol and the “wild” inside them will
come out. There are always going to be
perceptions of general groups of people derived from the media and movies, but
it is the difference in how you act that is going to change a person’s
perception.
Where
are the Men in Cleaning Advertisements?
By:
Sarah Broerman
Household cleaners and cleaning appliances have long
been an essential part of the American household. Advertisements for these products range from those seen in
television, to those in magazines and on the internet, becoming omnipresent in
popular media. When looking carefully
at these advertisements, it is clear that cleaning supply companies depict women. What may not be clear is that these advertisements
are only depicting women. They not only assume that women are
responsible for all of the household chores (even if they have other careers),
but also assume that the men never help out with any household tasks. Although this view of sex roles is heavily
rooted in the history of the American family, it is inapplicable for many
families in today’s society.
There are many examples of female dominance in the
sales of household cleaners. Magazines
such as Better Homes & Gardens, Family Circle, and Better
Housekeeping routinely feature ads for cleaning supplies, and are some of
the few magazines that do so. In the
most recent issues of all three of these magazines, twenty-one cleaning supply
advertisements were found. Of these
twenty-one, only one advertisement featured men. Although there was an advertisement with men present, the ad did
not show the house or any domestic setting that women are routinely found in
when selling the same products. In
similar circumstances, the internet presents much the same demographics. Out of the eight sites for popular cleaning
supplies that were visited, only one featured men at the core of the
commercial. Television, too, has an
overwhelming amount of cleaning supply commercials, and only a handful of those
feature men at all. Women are depicted
as
spouses or parents with no other occupation twice as
often as men in television commercials (Renzetti & Curran, 2002, p
156). Cleaning supply commercials are
perfect for fitting women into these roles.
With such statistics present, one would question the validity of these
advertisements and their portrayal of sex roles is difficult to believe that as
more women enter the workforce, men still refuse to help out with housework, as
cleaning supply advertising indicates.
Recent demographics suggest that the number of women 16 years of age or
older in the workforce has risen from about 20% at the turn of the century to
about 60% in 1999, according to the White House report on the economy (Cohn,
2000). In addition, the number of
working, married women has dramatically increased from about 14% in 1968 to
about 43% in 1999 (Cohn, 2000). For a
number of years women have been a significant part of the workforce, and the
sole responsibility to take care of the household cleaning has diminished. It has become a shared responsibility in
many homes. Moreover, the Census Bureau found that in 1993 there were 14.8
million U.S. husbands with wives working outside the home and children under 14
years of age. Of those men, about 1.9
million were the primary-care providers for the children when the mother was
working--up from 1.7 million in 1988 (Nakamura, 1999). Additionally, recent studies suggest that
women have reduced and men have increased their contributions to household
chores, suggesting that cleaning supply advertisements are no longer accurate
in their representations of women or their representations of men (Renzetti
& Curran, 2002). Cleaning has
become not a woman’s job, but a parents or spouses job, no sex attached.
Cleaning supply
advertising suggests that women are still the sole house workers in a family
unit. Although this tradition is
heavily rooted in American history, the validity of such clear-cut sex roles
should be questioned in today’s society.
Women are entering the workforce, and men are staying home and caring
for the house and kids. As women and
men watch and read cleaning advertisements, they find that the ads are
inaccurate, always representing women as the essence of a house worker despite
the demographics that suggest otherwise.
Many women and men are still left to wonder where the realistic
representation of sex roles lies. It is
certainly not in cleaning supply advertisements.
By: Andrew Church
With all the advertising that women are shown in― sports advertising, fashion/clothing advertising,
make-up advertising, house supplies advertising, et cetera― they all seem to be portrayed pretty much the same
way. With advertising dealing with food
and drink products, women are not portrayed that much differently than the
women being portrayed in other types of advertising, for example women in
make-up advertising.
In
advertising that is dealing with food and drink products like bottled water or
any other type of food or drinking product being sold on the market, women seem
to be a focus in the advertising. Crockett (2002) argues that sexual innuendo
in advertising has nothing to do with the product itself. She explains, “The magazine ad from VIBE is
a simple one: A young, black woman lies on a fluffy cloud against a pink
background…Oh yeah, and she’s completely nude…what does this have to do with
bottled water”(Crockett, 2002)? Well to
answer that question is that in today’s modern generation it is safe to say
that sexuality is a way of selling a company’s product. In this day and age, advertisement of a lot
of products has nothing to do with the product itself anymore.
With women being portrayed in advertising today as
described above, they are being used as sexual objects to lure guys in to trying
and buying such products as bottled water that are out in the market today.
Disempowering Images? Media Representations of Women in Sports By: Todd Buck and Kara Cox In the ever-competitive sports marketplace, female athletes are finding there is one way to guarantee attention and generate some income: remove the clothing. Media is now focusing more on how women’s bodies are depicted instead of their athletic ability. Advertising is one of the most powerful social forces that is virtually inescapable, pervasive, and subtle. These ads that are showing women are rich, cultural narratives created from multiple dialogues about the roles, athleticism, and sexuality of them.
These days, advertising is more
about being a woman and less about the sport and the drive that goes into
competing. Gender markers are
desperately maintained in women’s sports ads through the images, text, and
ideology. Recently, many advertisers
such as Nike are distinguishing themselves by not relying on these codes.
Today, the media’s representations of female athletes
are more focused on the beauty of being a woman. In the past, these ads were highlighted on the athletic
capabilities and the power of the female body, however they emphasize the
dominant culture through the blatant sexualization of the athletes’ bodies
(Balsamo, 1996). This is being
accomplished by techniques with the camera on focusing on certain parts of
woman’s body. An example of this is the
Women’s World Cup in 1999, when Brandi Chastain tore off her jersey after
scoring the game-winning penalty kick for the U.S. there was more focus in on
her sports bra rather than her team’s athletic exploits. “Female athletes don’t get that much
attention and press, their images are not that accessible. The times that you know the press will be
interested is the time that they are not fully clothed. That’s the saddest part of all” (Starkman,
1999). Three-time Olympic gold medallist
Marnie McBean said, “Athletes are working their bodies all the time, they’re
proud of what they’ve done. [Posing
nude] can be like the equivalent of an architect putting up a picture of a
building they’ve drawn; some of their work they are proud of.” McBean goes on to say that if woman athletes
feel they need to get naked to get attention for their athletic talents then it
is a real shame. Another example of
female athletes getting attention for their appearance rather than their talent
is the infamous Williams’ sisters.
Venus and Serena Williams are watched all over the world, not only for
their athletic ability in tennis, but because of their ever-so-daring
outfits. I have read more articles and
heard more commentators talk about their outfits that seem to get shorter and
skimpier then the fact that Venus can serve a tennis ball at 123 mph to her
opponent (Sportsline.com, 2000).
There is not a big difference anymore between ads in
fashion magazines, sports magazines, and pornography. Each is classified to be so different, but the media thinks that
the only power women have over men is due to sex appeal (DeAngelis, 1990). Women are being photographed in certain ways
to facilitate the male gaze and emphasize female sexuality. They are placed in unnatural poses, such as
bent over or completely laid out, both standard porn techniques. In an ad featuring a professional female
basketball player, she is posing in a rare stand that a male basketball player
would not be in. Her posing like this
is to show that she is sexy and delicate, not strong and able to make a three
point shot. These fantasy woman/sports
models all possess the female beauty in our culture. They have long hair (preferably blond), large lips, and perfect
skin. She is slender and has perfect
delicate skin, which of course creates unreal beauty and fitness standards,
which in turns sells the magazines.
As we can see, women in sports advertising are women
first athletes second. Gender hierarchy
is maintained by muffling images of strong women, and exhibiting them as sexy.
By: Warren Chan
Fashion
has long been the burden of self-conscious people, especially those who cannot
afford to keep up with the upper class.
Men have been affected, but women are by far the more afflicted sex. Men mostly feel pressured to adhere to
certain fashion rules as they pertain to clothing only. Women, on the other hand, are made to deal
with a constant flow of criticism that assures that they are not pretty enough,
not thin enough, and not wealthy enough.
Some can believe that they are one or two of those, but too many women
believe that they are not currently, nor will they ever be, all three. Such problems in perception can lead to
marriage without love, poor nutrition, and depression.
Today, the problem is more pervasive than ever, with more
opportunities for advertisement than ever before. Images of “perfect” women are no longer limited to the likes of
the Sears and Roebuck catalog. Now
there are magazines that deal only with fashions. In media, currently, the weight and size of models is only achievable
by 5% of the female population. The Social Issues Research Centre estimates
that less than 1% can as well fulfill the standards for facial features and so
forth (1997).
One of the most disputed issues regarding women in advertising is an
appalling lack of different body types, meaning women with different shapes and
sizes. The underlying problem here is
that advertisers often rely on sex to sell products. The vast majority of consumers embrace only emaciated women with
perfect skin and larger-than-average breasts as sexy. If only men were exposed to this kind of exploitation, then the
problem would be much smaller. Men
cannot fully understand, but women are constantly bombarded with the idea that
the figure they should attain, through whatever means necessary, is just this
form. For many, such is an impossible
goal. However, other products are
advertised that offer a “solution” to the “problem.” These items are miracle pills and diets. The commercials for these products
shamelessly show before and after pictures that are often blatantly two
different women. Moreover, the products
usually contain some form (if not more than one) stimulant, a few of which have
been identified as serious health risks, even when used properly. Women are also presented with some ludicrous
diets. Few and far between are the
warnings of combining these two. In
next to none of the advertisements is there a noticeable warning. Hence, some women fall into anorexia and
bulimia and combine those already dangerous eating habits with, essentially,
legal speed.
Perhaps
one of the most disturbing trends becoming more and more prevalent in fashion
advertising that utilizes women as sex objects is the portrayal of women as
young (teen and preteen) girls. Even
worse yet is the frequent sexualizing of young girls themselves. People today are increasingly pressured to
mature more quickly than generations before them. The problem applicable here is that sexuality goes with maturity
and now we see early teenage girls wearing expensive next-to-nothing
garments. These ads only fuel
pedophilia and perpetuate the fallacious notion that young girls need such
clothing. In a roundtable discussion,
Vicki Smye (Clinical
director/provincial nurses coordinator of Eating Disorder Program) and Tannis MacBeth (UBC Professor) pointed out, “The prevalence of
increasingly thinner and younger female models in fashion advertising is having
a significant impact on the body image and self esteem of more and more girls
and young women; girls as young as four are exhibiting dieting behavior and
eating disorder treatment programs cannot keep up with the demand for their
services,” (Graydon, 1997).
But She’s
Only Twelve
By: Timothy Booker

In an age where the phrase “Sex Sells” is known to most adults it is
alarming to find that sex is also being used to market to children. More and
more girls in advertising are finding themselves dressed similar to their young
adult and grown counterparts in the industry. Young girls are being made to
dress and act sexier and sexier to sell everything from clothing to yogurt. On
basic broadcast channels such as FOX as well as cable
channels like Disney Channel these children are shown
with what little cleavage they contain as they provocatively attempt to pedal
their products. According to an article in by the American Academy of
Pediatrics’ Committee on Communications, “Billions of dollars are being spent
to encourage children and adolescents to buy products that are not healthy for
them, with American advertising messages often including inappropriate sexual
innuendos in an attempt to sell their products” (Committee, 1995). These sexual
innuendos are aimed not only at adults but to children as well during their
programs. One can hardly sit down to enjoy a cartoon without viewing an eleven
year old aggressively shaking her hips to sell colored markers to children or a
young girl sucking a Go-Gurt pop seductively. The Disney Channel currently runs
a series of advertisements for their shows featuring girls in their teens and
younger dancing around in clothing and style similar to the pop idles of today.
These
practices are unhealthy to the young women that are featured in these
advertisements because they are now seen as sexual objects not as children.
Many people have heard what some males on this campus “would do to those hot
Olsen Twins.” Three years ago, when I began college the Olsen Twins were only
fourteen years old and boys had their pictures on their walls with countdowns
until they were “legal.” Who is to blame these young men though when these
young girls have been marketed since they hit puberty as sex symbols? They use
their beauty much as Barbie Dolls to sell their videotapes and merchandise.
Young girls are marketed to differently than boys. Advertisements aimed
at young boys feature them doing normal child things such as playing with
matchbox cars, beating each other up with inflatable boxing fists, and playing
with
action figures based on their favorite cartoon
characters. Advertisements aimed at young girls, however, show these young
ladies aspiring to be older as they take Barbie to the club, use makeup kits,
and create false dinners to serve to friends. The dress is different also.
Young boys advertisements feature boys dressed in normal youthful attire, while
young girl advertisements feature the ladies in tight form fitting outfits
unsuitable for their age group.
Young
girls in advertising have the unfortunate position of already being forced to
sell themselves sexually in a market where males clearly dominate. Not so much
as for one to want to have sex with the girls but just enough to grab ones
attention, these advertisements have young ladies shaking hips, doing dips, and
flat out seducing the audience. It is unfortunate, in a society that is supposed
to be above such outdated forms of marketing for adults, that sex is used to
sell most commercial products in our nation. It is downright disgraceful that
our nation would use the same methods for a twelve year old to sell crayons
that are used for a twenty-four year old woman to sell lingerie.
Ancient, Nyangoma. (2002, July 26) Women’s Worlds
2002, 8th International Interdisciplinary Congress on Women. Women’s
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Organization for Women. March 4 (3). Available online: http://www.nowfoundation.org/watchout3/
(accessed March 22, 2003)
Batty, P. (2002). Gender Gap. Green Guide Letter
Transcripts. November 17 (1). Available online: http://fmr.jeack.com.au/transc.html
(accessed March 22, 2003)
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Crockett, I. (2002, May/June). Women In Advertising: Wake Up And Smell the Bias! [Article posted on Web site Youthcomm.] Retrieved March 27, 2003, from World Wide Web: http://www.youthcommunication-vox.org/archives Gone Stupid- 'Real Girls' in raunchy videos suffer from more than just acting dumb. (2003, March 6) Arizona Republic, A1
Graydon,
S. (1997, March). Round Table On the Portrayal of Young Women in the Media [Report]. Retrieved March
16, 2003 from the World Wide Web: http://www.swc-cfc.gc.ca/pubs/roundtablemedia/roundtablemedia_e.pdf
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M. (2001). Why Helen is a poor role model for women. Media. June 3 (3).
Available online: http://media.guardian.co.uk/Print/0,3858,422943,00.html
(accessed March 22, 2003)
Mannix,
F. (2002). Women endure continuing TV degradation. Green Guide Letter
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(accessed March 22, 2003)
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Available online: http://www.media-awareness.ca/english/issues/stereotyping/index.cfm
(accessed March 22, 2003)
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Sportsline.com.
(2000, August 25) U.S. Open final could be family affair.
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Wolf, N. (1998, July 1) The Beauty Myth.