JEREMY WALLACH, PH.D. ||    CURRICULUM VITA
Associate Professor

Office Location: 102 Popular Culture Building
Office Phone Number: 419-372-8204
E-Mail: jeremyw@bgsu.edu

Courses Taught: "Introduction to Popular Culture," "Global Popular Music," "Youth and Popular Culture," "Cultural Theory and Popular Culture," "Asian Popular Music," International Popular Culture," "Genre and Authenticity in World Popular Music Studies," "Popular Music in America," "Music as Popular Culture," "Music and Sexuality," Theory and Methods in Popular Culture Studies."

Educational Background:

Ph.D. (Anthropology) University of Pennsylvania, 2002.
B.A. (Sociology/Anthropology) Haverford College 1992.

Selected Publications:

Books:

Wallach, Jeremy.  Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. New Perspectives in Southeast Asian Studies, Volume 3. Madison, WI: University of Wisconsin Press, 2008.

Wallach, Jeremy, Harris M. Berger, Paul D. Greene, eds. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press, forthcoming.
 

Book Chapters:

Wallach, Jeremy. “Unleashed in the East: Metal Music, Masculinity, and Malay Identity in Indonesia, Malaysia and Singapore.” In Metal Rules the Globe:Heavy Metal Music around the World. (Jeremy Wallach, Harris M. Berger, and Paul D. Greene, eds.) Durham, NC: Duke University Press, forthcoming.
 
_______. “Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios.”  In Wired for Sound: Engineering and Technologies in Sonic Cultures (Paul D. Greene and Thomas
Porcello, eds.). Middletown, CT: Wesleyan University Press, pp. 138-155, 2005.

_______. “‘Goodbye My Blind Majesty’: Music, Language, and Politics in the Indonesian Underground.”  In Global Pop, Local Language (Harris M. Berger and Michael T. Carroll, eds.).  Jackson MS: University Press of Mississippi, pp. 53-86, 2003.
 
Wallach, Jeremy, Harris M. Berger, and Paul D. Greene. “Introduction: Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene.” In Metal Rules the Globe: Heavy
Metal Music around the World. (Jeremy Wallach, Harris M. Berger, and Paul D. Greene, eds.) Durham, NC: Duke University Press, forthcoming.
 

Articles:
 
Wallach, Jeremy. “Living the Punk Lifestyle in Jakarta.” Ethnomusicology 52(1): 97-115, 2008.
 
_______. “Underground Rock Music and Democratization in Indonesia.”  World Literature Today 79 (3-4): 16-20, 2005.

_______. “Of Gongs and Cannons: Music and Power in Island Southeast Asia.” Wacana Seni  Journal of Arts Discourse 3: 1-28, 2004.

_______. “Dangdut Trendy.” Inside Indonesia 78 (April-June): 30, 2004.  
 
_______. “The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound.” Journal of Popular Music Studies 15(1): 34-64, 2003.
 
_______. “Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets.” Indonesia 74 (October): 79-102, 2002.

Book and Recording Reviews:

Wallach, Jeremy.  Review of Echo & Reverb: Fabricating Space in Popular Music Recording 1900-1960 by Peter Doyle (Middletown, CT: Wesleyan University Press, 2005).  Ars Lyrica, forthcoming.
 
_______. Review of Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali by Emma Baulch (Durham: Duke University Press, 2007). Journal of Anthropological Research, forthcoming.

_______. Review of Black Mirror: Reflections in Global Musics (Dust-to-Digital DTD-10; 2007).  Ethnomusicology 53(1): 176-178, 2009.

 _______. Review of New York City: Global Beat of the Boroughs (Smithsonian Folkways Recordings SFW CD 40493; 2001). Ethnomusicology 49(3): 209-212, 2005.

_______. Review of Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual by José Buenconsejo (Current Research in Ethnomusicology Volume 4, New York: Routledge, 2002). Asian Music 36(1): 123-127, 2005.  

 _______. Review of The Rough Guide to the Music of Indonesia (World Music Network RGNET 1055 CD; 2000), Ethnomusicology 48(3): 464-468, 2004.   
 
_______. Review of Prison Songs: Historical Recordings from Parchman Farm 1947-48, Vols.1 and 2 (Rounder Records CD 1714, 1715; 1997).  Yearbook for Traditional Music 32: 235-36, 2000.

_______. Review of “A History of Siamese Music Reconstructed from Western Documents, 1505-1932” (T. Miller and J. Chonpairot; Crossroads 8/2:1-192, 1994).  Khosana 24: 3-4, 1997.
 
_______. Review of My Music (S. Crafts, D. Cavicchi, C. Keil, and the Music in Daily Life Project; Hanover, NH: University Press of New England, 1993). Oral History Review 23(2): 128-30, 1996.
            

Encyclopedia Entries:

Wallach, Jeremy. “Dangdut” and “Global Metal.” In Encyclopedia of Popular Music of the World, Volume IV: Genres (John Shepherd, David Horn, Dave Laing, Paul Oliver, and Peter Wicke, eds.). London: Continuum Press, forthcoming.
 
_______. “World Beat.”  In The Garland Encyclopedia of World Music Volume 3: The United  States and Canada (Ellen Koskoff, ed.). New York: Garland Publishing, pp. 337-42, 2001.
 
Wallach, Jeremy and Vinay Dharwadker. “South and Southeast Asia.”  In The Greenwood Encyclopedia of World Popular Culture, Volume 6: Asia and Pacific Oceania (Vinay Dharwadker and Gary Xu, eds., Gary Hoppenstand, General Editor).  Westport, CT: Greenwood Publishing Group, pp. 211-226, 2007.