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Dr. Jeremy Wallach

Assistant Professor, Department of Popular Culture

Ph.D., Anthropology, University of Pennsylvania
B.A., Sociology/Anthropology, Haverford College


Office: 102 Popular Culture Building
Phone: 419-372-8204

E-mail: jeremyw
Departmental Faculty Page

Research Interests:

popular music of Southeast Asia and North America; music and technology; postcolonial theory; globalization; ethnographic approaches to popular culture; semiotics; phenomenology; sensory anthropology; music and identity

Selection of Recent & Reoccurring Courses:

Introduction to Popular Culture; Global Popular Music; Youth and Popular Culture; Cultural Theory and Popular Culture; Genre and Authenticity in Popular Music Studies; Popular Music in America, 1885-2005; Music as Popular Culture; Global Popular Culture

Selected Publications:

Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. University of Wisconsin Press, forthcoming.

Co-editor and contributor (with Harris M. Berger and Paul D. Greene), Metal Rules The Globe: Heavy Metal Music Around the World. Chapter Title: "Unleashed in the East: Metal Music, Masculinity, and Malay Identity in Indonesia, Malaysia and Singapore." Edited volume in preparation.

"Notes on Dangdut Music, Popular Nationalism and Indonesian Islam." In Sonic Modernities: Popular Music and New Social Formations in the Malay World (Bart Barendregt and Wim van Zanten, eds.), edited volume in preparation.

"Music in Southeast Asia." In The World Encyclopedia of Popular Culture, Volume 6: Asia and Pacific Oceania. Greenwood Press, forthcoming.

"Underground Rock Music and Democratization in Indonesia." In World Literature Today (September-December 2005).

"Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios." In Wired for Sound: Engineering and Technologies in Sonic Cultures (Paul D. Greene and Thomas Porcello, eds.). Hanover, New Hampshire: Wesleyan University Press, pp. 138-155, 2005.

"Of Gongs and Cannons: Music and Power in Island Southeast Asia." Wacana Seni Journal of Arts Discourse 3: 1-28, 2004.

" Dangdut Trendy." Inside Indonesia 78 (April-June): 30, 2004. Online version: http://www.insideindonesia.org/edit78/p30_wallach.html.

"The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound." Journal of Popular Music Studies 15(1): 34-64, 2003.

"'Goodbye My Blind Majesty': Music, Language, and Politics in the Indonesian Underground." In Global Pop, Local Language (Harris M. Berger and Michael T. Carroll, eds.). Jackson: University Press of Mississippi, pp. 53-86, 2003.

"Exploring Class, Nation, and Xenocentrism in Indonesian Cassette Retail Outlets." Indonesia 74 (October): 79-102, 2002.

"World Beat." In The Garland Encyclopedia of World Music Volume 3: The United States and Canada (Ellen Koskoff, ed.). New York: Garland Publishing, pp. 337-42, 2001.

Awards and Honors:

Center for Southeast Asian Studies, University of Wisconsin-Madison. Publication subvention for forthcoming book with the University of Wisconsin Press. (Matching amount approved by BGSU Scholars Assistance Program.) 2005.

Thesis Advisor, "My Boy Elvis: Gender, Fandom, and Performance in Rock and Roll" by Angela Fitzpatrick (M.A., American Culture Studies), winner of the BGSU Graduate College 2005 Distinguished Thesis Award.

Invited Speaker, Center for Southeast Asian Studies, Northern Illinois University, DeKalb, IL., Spring 2005

Invited Speaker, Haverford College Young Academic Alumni Lecture Series, Haverford, PA. Spring 2005.

Invited Speaker, University of Wisconsin-Madison Department of Music Colloquium Series, Madison, WI. Spring 2004.

Invited Participant, The Royal Netherlands Institute of South-East Asian and Caribbean Studies 17th Annual International Workshop on South-East Asian Studies. Workshop Title: "South-East Asian Pop Music in a Comparative Perspective." Leiden, The Netherlands. December 2003

 
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