|
Ph.D.
|
Disseration Title |
James
Beeby |
Revolt
of the Tar Heelers: A Socio-Political History of the Populist
Movement in North Carolina, 1892-1901 |
Charlene
Etkind (Blair) |
Communities
in Cyberspace: An Investigation into the Cohesion of Internal
Relay Chat Channels and Relationships Between Participants |
| Jeff
Flagg |
The
Road Toward Wisdom: The Evolution of Land Ethical Attitudes
in the Adirondack State Park |
Leman
Giresunlu |
American
Women's Travels to Turkey at the Beginning of the 20th Century |
| Dawn
Heinecken |
The
Women Warriors in Television: A Feminist Cultural Analysis
of the New Female Body In Popular Media |
| Vicki
Ohl |
Kay Swift: Style, Wit and Class in an American Composer |
Joseph
Ruff |
The Importance of Being Ernest: The Aesthetics of Sincerity
in Local Country Music Networks |
| Clifford
Vaughn |
Dixieland Demonstrations: The Display of Power in Selmians'
Struggle for Civil Rights |
| Sharon
Vriend |
"My
Life in the White World": The European-American Representation
of Marion Anderson, 1939-1957 |
M.A. |
|
|
| Thomas
Conley |
Quentin
Duroy |
Simeon
Furman |
| David
Haus |
Diana
Mincyte |
Sean Newborn |
| Seth
Waite |
Thomas
Waniewski |
Tanya
Hedges |
Ph.D.
|
Disseration Title |
Matthew
Johnson |
Beyond
Futility: On the Responsibilities of Critical Intellectuals
in Social Change |
Torey
King |
Who
You Calling a Feminist?: Creating New Feminisms in Popular
Music, 1986-1994 |
| Dean
Kohrs |
Repurposing
Professor Campbell: A Qualitative Study Concerning New Media
Intellectual Property and Scholarship |
Dorothy
LaRouth Perry |
The 1957 Desegregation Crisis of Little Rock, Arkansas:
A Meeting of Histories |
| Marcella
McCoy |
African
American Fraternities and Sororities and African Communities:
Cultural Parallels Among Selected Public Rituals |
| Randall
Norris |
God
and Nature In Cumberland County: Disaster Narratives From
East Tennessee |
| William
Peterson |
Storm Warriors: The US Life-Saving Service in American Culture,
1870-1915 |
Beth
Shervey |
That Place with That Theatre: The Convergence of the Little
Theater on the Square and Small-Town Ideals in Sullivan,
Illinois 1957-1977 |
| Mary
Thompson |
Women and Technologies of Body Modifications |
| David
Wall |
Subject to Disorder: Carnival and the Grotesque Body in
Antebellum Literature and Culture |
M.A. |
|
|
| Patrick
Alexander |
Keri
Cartwright |
Christin
Giblin |
| Ebony
Green |
Benjamin
Johns |
Andrea
Kabwasa |
| Catherine
Shufelt |
Lianne
Tauxe |
Scott
Walker |
Ph.D.
|
Disseration Title |
Marcella
Bush |
From
Mythic History to Historic Myth: Captain John Smith and
Pocahontas in Popular History |
Louis
Eason |
A
Time of Destiny: Ifa Culture and Festivals in Ile-Ife, Nigeria
and Oyotunji African Village in Sheldon, South Carolina |
| Leonard
Gadzekpo |
Comparative
Study of African American and Nigerian Art from the 1960s
to the 1970s: A Cultural History Perspective |
Barbara
Kunkle |
Appalachia
and the Imagination of Empire |
| Kelly
Mayhew |
"Nobody
in Town Can Bake a Sweet Jelly Roll Like Mine:" Women's
Expressions/ Performances of Sexuality in the Twenties and
Early Thirties |
| James
Miller |
Post-modernism and Utopia: Dystopian/Utopian Themes in the
Works of Don DeLillo, Harold Jaffe and Octavia Butler |
Colleen
Vallo (Cook) |
Cultural and Legal Analysis of the 1996 Communications Decency
Act |
M.A. |
|
|
| Brian
Dolinar |
Camilla
Dacey-Groth |
Emily
Pettigrew |
| Jason
Wesco |
Josef
Swora |
Robert
Sloane |
| Sarah
Heck |
Stuart
Tart |
Thomas
Deignan |
Ph.D.
|
Disseration Title |
Richard
Gilman |
The
Unity School of Christianity and the Development of Therapeutic
Culture in the United States, 1889-1920 |
| Anne
Lacsamana |
Colonialism,
Globalization, and the Filipina Mail-Order Bride |
| Michael
Marsh |
|
Steven
C. Steele |
"Subvert
the Dominant Paradigm": Environmentalism, Earth First!,
and Opposition Theory |
M.A. |
|
|
| Morten
Anthun |
Christine
Brucker |
Jonothan
Bruning |
| Ester
Carr |
Stacy
Davidson |
Bryan
Fruth |
| Benjamin
Irvin |
Laurie
McKesson |
Paloma
McMullan |
| Antje
Schiffler |
Blaine
Vanry |
Solomon
Davidoff |
| |
Michael Marsh |
Charlotte Sweet |
Ph.D.
|
Disseration Title |
Kay
Campbell |
Afrikan/Native
American, Art and Resistance: Dual Heritage and the Art
of Edmonia Lewis |
James
Coon |
Sixties
Entertainment Television and Cold War Discourse |
| Paul
Fischer |
Radical
Pedagogy and the Interdisciplinary Revolution: Teaching
"Youth Culture" for the Twenty-First Century |
Leah
Hackleman |
The
First Year?: Gendering 1968 |
| Mark
Howell |
From
Moonshine to Madison Avenue: A Cultural History of the NASCAR
Winston Cup Series |
| Imelda
Hunt |
An
Oral History of Art Tatum During His Years in Toledo, OH
1909-1932 |
Theodore
Ligibel |
The Maumee Valley Heritage Corridor as a Model of the Cultural
Morphology of the Historic Preservation Movement |
| Molly
Merryman |
Gendering the Warrior: The Disbandment of the Women Airforce
Service Pilots of World War II |
| Sally
Myers |
Northwest Ohio Women's Literary Clubs as Arbiters of Culture:
1880-1918 |
| Phyllis
Zrzavy |
Erik H. Erikson's Epiphanies: An Interpretive-Interactionist
Study of the Select Aspects of His Life and Work |
M.A. |
|
|
| Holly
Baumgartner |
Scott
Csontos |
Paul Fischer |
| Stacey
Lipe-Grasso |
John
Nevins |
Jennifer
Stocking |
| Scott
Walter |
Paul
Wise |
March
McCubrey |
Ph.D.
|
Disseration Title |
Kenneth
Bielen |
Lyrics
of Civility: The Language of Popular Music and the Secularization
of American Culture |
Ursula
Hans |
The
Formation of American Identities: Pennsylvania and South
Carolina 1730-1776 |
| Xiao-Yang
Jiang |
Cross-cultural
Philanthropy as a Gift Relationship: The Rockefeller Foundation
Donors and Chinese Recipients |
Marie
Louden-Hanes |
Winslow Homer and the Demimode |
| Michael
Pryzdia |
The Wake of Imagination and the Postmodern Meaning of "Meaning" |
| Virginia
Schwartz |
The Collegiate Culture: An Examination of the Role of Television
in Addressing the Developmental Tasks of Unity and Differentiation |
Michael
Stephens |
The Shiftiness of Childhood |
| Jacqueline
Thursby |
Basque Women of the American West |
| Benjamin
Urish |
America through its comedians : comedy and culture on film |
| Helfried
Zrzavy |
America Through Its Comedians: Comedy and Culture on Film |
M.A. |
|
|
| Carlissa
Crumit-Hancock |
Sharon
Vriend |
Laurel
Gilbert |
| Ingrid
Gomez |
Rachel
Groner |
Tammie
Harris |
| Krista
Harte Sassaman |
Allison
Harthcock |
Sherry
Howard |
| Stephanie
Jass |
Sharon
Johnson-Riegler |
Jean
Kalata |
| Monika
Krammer |
Tricia
Valentine |
Andreja
Wieser |
| |
Chad
Litton |
|
Ph.D.
|
Disseration Title |
David
Andersen |
Erik
H. Erikson's Challenge to Modernity |
Iain
Ellis |
U/Dys/Topian
Significations: The Dissemination of the Punk Aesthetic
Across 1980's American Culture |
| Wayne
Sneath |
The
Conspiratorial Ideology of Right-Wing Extremism in the 1990s:
A Cultural Analysis of Ruby Ridge, Waco, and Oklahoma City |
| Charles
R.Warner |
Jah As Genre: The Interface of Reggae and American Popular
Music |
Yan-wen
Xia |
The Sojourner Myth and Chinese Immigrants in the United
States |
M.A. |
|
|
| Frank
Becker |
Guadalupe Galvan |
Martin
Higgins |
| Philip
Marson |
Robert
McCord |
Richard
Morgan |
| Mark
Rice |
Elizabeth
Smalley |
Christine
Su |
| Ilona
Tzudnowski |
Tsukasa
Watanbe |
Susanne
Zimmermann |
| |
Kathleen
Hern |
|
Ph.D.
|
Disseration Title |
Stephen
Ashby |
Hermeneutic
of Suspicion and the Scapegoat: Toward Ontological Understanding |
Elizabeth
Martina Bishop |
Re-shaping
Ethnicity: The Half-blood as Shaman in Native American Literature |
| Christine
Catanzarite |
The
Genetics of Genre: The Musical Film and the Hybridization
of Popular Narrative Forms |
Jeannie
Ludlow |
Writing Monahseetah: Native American Poets (and) Writing
the Body |
| Angela
Nelson |
A Theomusicological Approach to Rap: A Model Study for the
Study of African American Popular and Folk Musics |
| Vida
Penezic |
Belgrade City Center: Some Aspects of the Transnational
in Culture |
Phyllis
Scrocco |
A Ritual Analysis of Women and Work in Selected Situation
Comedies, 1963-1973 |
| Brendan
Strasser |
"It’s
the End of the World as We Know It (and I Feel Fine)":
Keith Haring, Post- modern Hieroglyphics, Panic Graffiti,
and the Fun Apocalypse, and the Language of Hyperreality |
| Thomas
Zitt |
Reinventing Nature in America's First National Park: Struggles
Over Management Politics in Yellowstone |
M.A. |
|
|
| Steven
Cannon |
Matthew
Donahue |
Christine
Hastings |
| Jerry
Moore |
Matthew
Rake |
Christine
Schott |
| Jay
Smith |
Shawn
Wilber
|
|
Ph.D.
|
Disseration Title |
Sarah
Coburn |
The
Invasion of the Comedy Snatchers: Fantasy Sitcoms and Cultural
Criticism |
James
Kaser |
The
Army of the Cumberland and the Battle of Chickamauga: An
Exercise in Perspectivist Historical Research |
| Edward
Wells |
Growing Green: Changing Paradigms in America's Pesticide
Use |
Li-hua
Yu |
Chinese Immigrants in Idaho |
M.A. |
|
|
| Derek
Milne |
Mark
McCluskey |
Michelle
Raine |
| David
Ulmer |
Deidre
Vodanoff |
Brent
Zerger |
Ph.D.
|
Disseration Title |
Anne
Kennedy |
Louisa
May Alcott: Culture, Family, and Fiction |
Michael
Pettengell |
Naturalism in American Hard-Boiled Fiction: The First Four
Decades |
| Renate
Prescott |
Vietnam War Literature: The Movement from War to Home |
William
Romanowski |
Rock'n'Religion: A Socio-cultural Analysis of the Contemporary
Christian Music Industry |
| Duane
Vorhees |
The "Jewish Science" of Immanuel Velikovsky: Culture
and Biography as Ideational Determinants |
| Daniel
F. Ward |
Authenticity in the Cultural Hybrid: A Critique of the Community
Paradigm in Folk Studies |
M.A. |
|
|
| Nancy
Dillon |
Gregory
Hart |
JoyJean
Hughes |
| Susan
Nance |
Mark
Okeson |
Allan
Rice |
| Jennifer
Strayer |
Qian
Zhao |
Suzanne
Hoffman |
| Kevin
Lause |
Holly
Hoffman |
Mark
Holding |
|
