
Eyewitness
Accounts of The Ghost Dance
Before dancing, the ritual participants would
enter a sweat lodge for purification. Then the worshippers, painted
with sacred red pigment, would adorn themselves in a special costume
which was believed to be a gift from the Father.
The
hallowed clothing was usually made of white cotton muslin cloth
embellished with feathers and painted symbols seen in the
wearers visions, as well as a prominent eagle figure. While
many tribes of Plains Indians wore the ghost shirts and partook of
the dance, only the Lakota believed that the clothing would protect
them from the bullets of the white man -- an assertion that was made
in response to the dancers feared intrusion by U.S. soldiers. This
was an idea which agitated the government agents, who, rather than
realizing the defensive nature of the ghost shirts, viewed them as
symbols of aggression.
One of the songs sung at the ceremonies celebrated
the special protection of the Ghost Shirt:
Verily, I have given you my
strength, Says the Father, says the Father. The shirt will cause you
to live, Says the Father, says the Father.
(Source: Eyewitness at
Wounded Knee, 1991)
The actual dance was performed by all members
joining hands to create a circle. In the center of the formation was
a sacred tree, or symbol of a tree, decorated with religious
offerings. Looking toward the sun, the dancers would do a shuffling,
counter-clockwise side-step, chanting while they sang songs of
resurrection. Gradually the tempo would be increased to a great beat
of arousal. Some dances would continue for days until the
participants "died," falling to the ground, rolling around and
experiencing visions of a new land of hope and freedom from white
people which was promised by the messiah. The dance often produced
mass hypnosis in its transfixed participants, and thus, it became
known as the Ghost Dance. Curious onlookers were prohibited,
furthering the sense of mystery about the ritual and elevating the
tension between the dancers, settlers, and soldiers.
A Lakota Sioux described the Ghost
Dance:
"They
danced without rest, on and on...Occasionally someone thoroughly
exhausted and dizzy fell unconscious into the center and lay there
"dead"...After a while, many lay about in that condition. They were
now "dead" and seeing their dear ones...The visions...ended the same
way, like a chorus describing a great encampment of all the Dakotas
who had ever died, where...there was no sorrow but only joy, where
relatives thronged out with happy laughter...The people went on and
on and could not stop, day or night, hoping...to get a vision of
their own dead...And so I suppose the authorities did think they were
crazy - but they were not. They were only terribly unhappy."
Wounded Knee Massacre Introduction
Return to 1890s
America: A Chronology
Contributed by Lori
Liggett
Bowling Green State University, American Culture Studies Program
Summer 1998