College of Musical Arts

2007–2008 Festival Series

Hover over any performer for more information.

Click here to see past festival series events!

Single ticket prices for all concerts are $30, $26 and $18.

Dianne Reeves, jazz vocalist
“Dianne’s the legitimate extension of all of the good things that have gone on before, from Ethel Waters to Ella Fitzgerald, Sarah and Carmen.” – Joe Williams, Down Beat

Dianne Reeves, jazz vocalist

Friday, March 14, 2008

Supported in part by President Sidney A. Ribeau

The pre-eminent jazz vocalist in the world, Dianne Reeves’ virtuosity, improvisational prowess and unique jazz and R&B stylings have made her one of the most sought after jazz artists today. Recipient of the Ella Fitzgerald Award at the Montreal International Jazz Festival and the first Creative Chair for Jazz for the Los Angeles Philharmonic, she has recorded and performed extensively with Wynton Marsalis and the Lincoln Center Jazz Orchestra. Reeves won the Grammy for Best Jazz Vocal Performance for three consecutive recordings—a Grammy first in any vocal category. She also appeared and performed in George Clooney’s movie and soundtrack recording of Good Night, and Good Luck, which garnered her fourth Best Jazz Vocal Grammy in 2006. This is her first appearance on the Festival Series.

Gabriela Montero, piano
“…the hottest rising star in the classical music world…” – Morley Safer, 60 Minutes

Gabriela Montero, piano

Friday, April 4, 2008

Louise F. Reese Memorial Concert

Described by critics as possessing “a combination of ferocity and eloquence,” Gabriela Montero has appeared with orchestras around the globe, from South America and the United States, to Europe, Japan and the Far East. Winner of a Bronze Medal at the 13th International Chopin Piano Competition, the Venezuelian-born Montero is not shy about straying from classical styles into more popular territory. The subject of a “60 Minutes” feature in fall 2006, she is rapidly becoming known for her improvisation skills, where she utilizes well-known themes and weaves them into intricately formed “spontaneous compositions.” This is her first Festival Series appearance.

Academy of St. Martin in the Fields Chamber Ensemble
“Good reason to turn off the stereo and go to a real live concert.” – The Milwaukee Sentinel

The Academy of St. Martin in the Fields Chamber Ensemble

Friday, September 28, 2007

The Lois M. Nitschke Memorial Concert

Select a group of eight elite musicians from London’s illustrious Academy of St. Martin in the Fields, and what do you get? Only one the world’s finest chamber ensembles! Making its debut on the Festival Series, the Academy of St. Martin in the Fields Chamber Ensemble was created in 1967. The group is drawn from the principal players of the orchestra, and tours as a string octet, string sextet and other configurations. The ensemble draws rave reviews for its performances both on tour and in the recording studio, with over 30 CDs on such labels as Philips Classics and Hyperion.

Naoko Takada, marimba
“No one needs a critic when an audience leaps to its feet, calling a star soloist back for three encores.” – The New Orleans Times-Picayune

Naoko Takada, marimba

Thursday, January 31, 2008

Born in Tokyo and first appearing as a soloist with the Tokyo Symphony and Tokyo Chamber Orchestra at the age of 11, Japanese marimbist Naoko Takada makes her debut on the Festival Series. Referred to as a “compact musical dynamo,” she is renowned for her wide range of repertoire—from Bach to Piazzolla. First prize-winner of the 2002 Ima Hogg Young Artist Competition and the Young Concert Artists International Auditions, she premiered Kevin Puts’ Marimba Concerto with Leonard Slatkin and the Orchestra of St. Luke’s in 2004. Her concerts appeal to audiences of all ages with performances that explore the tone and nuances of her unique instrument. Her visit will include several residency activities.

Edgar Meyer, bass, and Mike Marshall, mandolin
“[Meyer is] one of the most remarkable virtuosos…in the history of his instrument” – The New Yorker
“Marshall is a one-man talent pool.” – Frets Magazine

Edgar Meyer, double bass, and
Mike Marshall, mandolin

Friday, October 12, 2007

For over 20 years, bassist Edgar Meyer and mandolin player Mike Marshall have been at the vanguard of American instrumental string music. Marshall is one of the world’s most versatile acoustic musicians, whose playing is as imaginative and adventurous as is it technically thrilling. The recipient of the MacArthur Foundation Fellowship and winner of two Grammy Awards, Meyer is arguably the greatest classical bassist to ever pick up the instrument. The Festival Series welcomes these two amazing artists in a lighthearted concert of adventurous music with the kind of variety, beauty and range rarely experienced.

Imani Winds
“Imani Winds is a true breath of fresh air. The classical music world would do well to take the Imani model to heart.” – Washington Post

Imani Winds

Friday, November 9, 2007

Five accomplished musicians of African/Latin American heritage came together in 1996 to form Imani Winds to expand the boundaries of the traditional wind quintet. Imani, literally “faith” in Swahili, embodies the ensemble’s mission: exploring the links between European, African and American musical traditions. This young ensemble has established a distinct presence for dynamic playing, innovative programming and inspirational outreach programs. We welcome the Imani Winds as it returns to the Festival Series following a successful residency during the 2003–04 season.

  1. Friday, September 28, 2007The Academy of St. Martin in the Fields
    Chamber Ensemble Lois M. Nitschke Memorial Concert
  2. Friday, October 12, 2007Edgar Meyer, double bass, and Mike Marshall, mandolin
  3. Friday, November 9, 2007Imani Winds
  1. Thursday, January 31, 2008Naoko Takada, marimba
  2. Friday, March 14, 2008Dianne Reeves, jazz vocalist supported in part by President Sidney A. Ribeau
  3. Friday, April 4, 2008Gabriela Montero, piano Louise F. Rees Memorial Concert

Last Updated: Thursday, April 3, 2008 | Contact the CMA | Disclaimer