Contemporary printmaking has evolved into an interdisciplinary medium, combining traditional and alternative processes that integrate print with other studio disciplines, such as painting, fibers, ceramics, and digital arts. With the recent movement toward non-toxic materials, digital imaging, and photographic processes, printmaking remains an exciting and ever-changing field. The Printmaking program at Bowling Green State University introduces students to a wide range of techniques and processes with an emphasis on the development of critical thinking and an individual artistic vision. The program offers coursework in Relief and Monoprinting, Intaglio, Lithography, and Screenprinting, all of which include traditional as well as contemporary practices. Special Topics courses in Bookmaking supplement the regular curriculum. At the Advanced Prints and Senior Studio level, students are encouraged to expand their technical range.

In consultation with an adviser, print students plan an individualized degree program that provides a thorough grounding in a range of print media, with additional advanced level studies in a specialized area of interest. In addition to print courses, students are encouraged to take courses in other studio areas in order to broaden their art-making experience.

Printmaking is housed in several adjacent rooms within the Fine Arts Center:

The Intaglio/Relief room is equipped for wood and linoleum block printing, intaglio work in copper, and monoprinting. It houses two presses (Takach and Charles Brand presses), three acid baths, three hotplates, paper soaking trays, an airbrush and spray booth, aquatint box, assorted-sized rollers, inks and various tools for both relief and intaglio work.

The Lithography/Screenprinting room has two litho presses (Takach and Charles Brand), 25 stones of varying sizes and grades up to 20 X 28", three plate-backing slabs up to 30 X 40", various leather and composition rollers, a graining sink, a hydraulic lift, inks and various tools. For water-based screenprinting, screens, drying racks, inks, and assorted sized squeegees are supplied.

The Printmaking Photo darkroom is comprised of two rooms. One room is equipped with two large light exposure units and a large sink. the other room contains two smaller exposure units for photopolymer plates, a mat cutter, a shrink wrapper, a pressure washer, a washout sink, and an archive of past student work.

A general classroom, shared with the Photography area, is used as a lecture room, clean workroom, and critique area. 

The Print Society

All students with an interest in printmaking are encouraged to join this active student club. The Print Society organizes field trips, visiting artist workshops, a booth at the Black Swamp Arts Festival, and various activities related to printmaking. Fundraisers, including T-shirt printing events and print sales, are held several times during the year to support Print Society activities. Funding supports visiting artists and student attendance at national and regional print conferences.

Regional and National Printmaking Associations

There are numerous professional printmaking associations in existence and students are encouraged to join these in order to gain a broader understanding of the world of prints. Two of these are:

Mid-America Print Council, a Midwestern print organization that sponsors a biennial conference of workshops and panel discussions, a members' exhibition, and a newsletter.

Southern Graphics Council International, a national print organization that sponsors an annual conference of workshops and panel discussions, a members' exhibition, and a journal.


Janet Ballweg

Position: Professor, Area Head, Printmaking
Phone: 419-372-8515
Email: jballwe@bgsu.edu
Address: 1207 FAC

No photo available

Michael Weigman

Position: Adjunct Instructor, Printmaking
Phone: 419-372-7747
Email: mweigma@bgsu.edu
Address: 1108 FAC

While at BGSU, students develop skills in art-making, visual communication, problem-solving, and critical thinking. Some of our students go on to use their print expertise in the commercial printing market, within collaborative or contract printing workshops, or in general design fields, but most print students are working to become fine artists. Their main objective is the personal development of imagery and techniques via the print medium, which often leads to further printmaking study at the graduate level.

BGSU Undergraduates in Printmaking have successfully advanced to graduate study at various institutions, including the University of Iowa, University of Wisconsin-Madison, University of Nebraska-Lincoln, University of North Texas, University of Massachusetts Amherst, Ohio University, and Northern Illinois University. Furthermore, our students have successfully competed for assistantships and fellowships at these institutions. 

Tara Fineske, Quiet Please, 2012
Antonio Lee, Untitled, 2012
Allison Rosh, Untitled
Cori Crumrine, Respiratory Respite
Lauren Tanner, You Remind Me of Home
Alexa Nasonti, Untitled
Ashley Smith, Untitled, 2
Desiree Arps, Tormenting Me, 2012
Erin Pierce, The Year of the Rabbit
Bevan Binder, A Great Chasm
Corrine Worden, The Destination
Jackie McKown, Why Yes It is a Beautiful Day
Julie Greenseisen, Beer Pong
Jennifer Jenkins, Tea Book and Box
Tyler Oberhouse, Untitled
Guy Dachik, West Landscape
Brittany Cherkes, Untitled
Jacob Parr, Sockstitute
Alexa Nasonti, Untitled, 3
Julie Greenseisen, Untitled
Ashley Smith, Untitled