Black Music Culture 2009 Panel Sessions
BLACK MUSIC CULTURE AREA PANELS
Co-Area Chairs: William C. Banfield, Angela M. Nelson
2009 NATIONAL PCA/ACA CONFERENCE
New Orleans Marriott ( New Orleans, Louisiana)
1047. Black Music Culture I: Roundtable and Area Meeting
Wednesday, April 8, 2009
2:30pm-4:00pm
Balcony M (4th floor)
Chairs: William C. Banfield, Berklee College of Music and Angela M. Nelson, Bowling Green State University
The Black Music Culture Area Co-Chairs will lead an interactive session with the 2009 presenters to discuss the aims and purposes of the area, overview the panel presentations, and explore the state of “black music culture.”
Angela M. Nelson, Bowling Green State University, anelson@bgsu.edu
Beyoncé, Chris Brown, and Contemporary Black Music Culture
William C. Banfield, Berklee College of Music, wbanfield@berklee.edu
Black Notes and Cultural Codes: Makings of a Black Music Philosophy
(An Interpretive History of Black Music Culture from Griots, Blues to Hip Hop)
1084. Black Music Culture—Hip-Hop Culture II: Hip-Hop Identity
Wednesday, April 8, 2009
4:30pm-6:00pm
Balcony M (4th floor)
Chair: Jordan Sanderson, Auburn University, jordantsanderson@gmail.com
Sean Slusser, University of California, Riverside, sslusser1@yahoo.com
Straight Into and “Outta” Compton: Representations of Compton in the Music of Hip-Hop Artists N.W.A. and Game
Jordan Sanderson, Auburn University, jordantsanderson@gmail.com
"The Realest Shit I Never Wrote": Authenticity and Orality in Contemporary Hip-Hop
1090. Black Music Culture—Hip-Hop Culture I: Hip Hop as Technology, Culture, and Education
Wednesday, April 8, 2009
6:30pm-8:00pm
Balcony M (4th floor)
Chair: Prince Charles Alexander, Berklee College of Music, pcalexander@berklee.edu
Carlton A. Usher, Kennesaw State University, cusher@kennesaw.edu
Student Success and Convergence of Hip-Hop Culture in Higher Education
Prince Charles Alexander, Berklee College of Music, pcalexander@berklee.edu
Hip Hop Technology: The Leader of the Pack
2081. Black Music Culture II: Black Music/Global Performance
Thursday, April 9, 2009
12:30pm-2:00pm
Balcony M (4th floor)
Chair: Daniel S. Traber, Texas A & M University, Galveston, traberd@tamug.edu
Lorenzo Perillo, University of California, Los Angeles, lorenzo.perillo@gmail.com
Filipino Soul: Narrativizing Philippine-American Imperialism through Hip-Hop Dance and Black Cultural Production
Amor Kohli, DePaul University, akohli@depaul.edu
"We Both Speak African": Cu-bop's Global Black Cultural Politics
Daniel S. Traber, Texas A & M University, Galveston, traberd@tamug.edu
"Pick It Up! Pick It Up!...Again": The Transnationalism of Third-Wave Ska
2195. Black Music Culture III: Blues and Jazz
Thursday, April 9, 2009
4:30pm-6:00pm
Balcony M (4th floor)
Chair: Mitsutoshi Inaba, University of Oregon, mit64@comcast.net
Michael Borshuk, Texas Tech University, michael.borshuk@ttu.edu
The Elegant New Negro: The Cultural Politics of Duke Ellington's Early Film Appearances
Mitsutoshi Inaba, University of Oregon, mit64@comcast.net
"Steady Rollin' Man": Robert Jr. Lockwood: A Bridge Between the Delta and Japan
3187. Black Music Culture IV: Black Music in the Marketplace
Friday, April 10, 2009
4:30pm-6:00pm
Balcony M (4th floor)
Chair: Barry Long, Bucknell University, barry.long@bucknell.edu
Jerry Zolten, Penn State University/Altoona College, jjz1@psu.edu
R & B, Comedy, Rap, Hip Hop, and Movies: The Unexpurgated Truth about Rudy Ray Moore
Michael D. Murphy, Wayne State University, foureyesmurphy@yahoo.com
Alberta Adams and the Heyday of the Detroit Nightclub Scene, 1938-1962
Barry Long, Bucknell University, barry.long@bucknell.edu
Farewell to Storyville: Early Jazz and a Cultural Reckoning
4050. Black Music Culture—Hip-Hop Culture III: Hip-Hop Practices I
Saturday, April 11, 2009
10:00am-11:30am
Balcony M (4th floor)
Chair: Kristina Graaff, Technical University of Berlin,Kristina.Graaff@metropolitanstudies.de
Melissa Thompson, University of Minnesota, thom2635@umn.edu
Parents Just Don't Understand: Hip Hop in the News Media, 1986-1996
Kristina Graaff, Technical University of Berlin, Kristina.Graaff@metropolitanstudies.de
The Genre of Street Literature: From Urban Spectacle to the Transliteration of the Literate
4084. Black Music Culture—Hip-Hop Culture IV: Hip-Hop Practices II
Saturday, April 11, 2009
12:30pm-2:00pm
Balcony M (4th floor)
Chair: Judy L. Isaksen, High Point University, jisaksen@highpoint.edu
Melinda King, University of San Diego, kingmjl@gmail.com
Hip-Hop Music's Use of Memory
Ginger Jacobson, University of South Florida, gjacobs2@mail.usf.edu
"It's Just Fresh": Adolescent Hip Hop Fans Discuss Their Music
Erik Nielson, University of Sheffield, eriknielson@hotmail.com
Surveillance and Rap Music
Judy L. Isaksen, High Point University, jisaksen@highpoint.edu
Rhetorical Roots of Hip Hop
4139. Black Music Culture V: Roundtable Discussion: The Obama Effect and Contemporary Black Music Culture
Saturday, April 11, 2009
4:30pm-6:00pm
Balcony M (4th floor)
Chair: Prince Charles Alexander, Berklee College of Music
This panel will explore the connections between United States President Barack Obama and black music culture today. Panelists will focus on such topics as how his race and ethnicity is or might be emblematic of the globalization (or “trafficking”) of black music and black music culture in general and rap music and hip-hop culture in particular.
Panelists:
Michael Borshuk, Texas Tech University, michael.borshuk@ttu.edu
Judy L. Isaksen, High Point University, jisaksen@highpoint.edu
Carlton A. Usher, Kennesaw State University, cusher@kennesaw.edu
Jerry Zolten, Penn State University/Altoona College, jjz1@psu.edu
4149. Black Music Culture VI: Live Performance: Jazz Transformation: The American Guitar and World Influences
Saturday, April 11, 2009
6:30pm-8:00pm
Balcony M (4th floor)
Presenter: Freddie Bryant, Williams College, frederic.bryant@williams.edu
Jazz has influenced the music of many musicians around the world and has given freedom to the individual musician in regards to improvisation and composition. This concert will feature original jazz compositions and arrangements of jazz standards that reflect the inherent nature of jazz to reflect the multicultural environment and influences in the world.
Updated: 06/24/2019 08:50AM